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Music for Dusty Roads and Endless Possibilities

Film composer David Wingo employs his cinematic instincts when making music in Ola Podrida.
Film composer David Wingo employs his cinematic instincts when making music in Ola Podrida.

David Wingo, best known as a composer for independent films (All the Real Girls, The Great World of Sound), tackles a slightly different form when writing for Ola Podrida. The solo-project-turned-band uses his cinematic instincts to their fullest advantage: The band's debut, Ola Podrida, is full of airy, acoustic-guitar-driven folk songs with muted vocals suitable for dusty roads and endless possibilities. Ola Podrida excels at creating a beautifully atmospheric mood, as well as gentle beauty that's both spacious and deceptively complex.

The lazily majestic "Jordanna" builds slowly, with a careful hand, as Wingo carefully engineers the placement of each individual element. Fans of Iron and Wine should appreciate his ability to cast a spell with seemingly simple guitar strumming, driven home by Wingo's weathered and road-weary voice. People and scenes float in and out of focus, lending the song the feel of a scrapbook. At the end of "Jordanna," Wingo sings, "I'm not sure there's any point to it all / but I sure loved hearing your voice," and the latter sentiment surely holds true here.

Listen to yesterday's 'Song of the Day.'

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Kathryn Yu
By day, Kathryn Yu is an Interaction Designer working for a marketing firm in New York City, toiling away at Web sites. By night, she's a freelance photographer and live-music addict. Her photography has appeared in publications like Pitchfork, Rollingstone.com, Thrillist, Gothamist, and more. She often forgets to blog at kathrynyu.com, and is also making a movie.
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