In what will go down as one of the most significant legislative sessions in modern Chinese history, an eye-rolling millennial managed to steal the show from President Xi Jinping, a man who had just been given permission to rule 1.3 billion people for as long as he wants.
The reporter in the blue seemingly not too impressed with this question at the #NPC #China #TwoSessions pic.twitter.com/lq7AzX9oTp
— Bill Birtles (@billbirtles) March 13, 2018
Liang Xiangyi, a young financial news reporter, was so disgusted on Tuesday by a fellow reporter's three-part softball question to a government official at this week's National People's Congress that she was caught on live television rolling her eyes, looking the questioner up and down in disbelief and then finally turning away.
Within an hour, the video clip had gone viral on Chinese social media sites, a GIF of it posted and reposted until the meme took on a life of its own, inspiring copycats to post their own videos.
The video's popularity was hardly surprising. Each year at this time, Chinese viewers have to put up with the state media's gushing coverage of the National People's Congress, a highly choreographed and scripted event where journalists are part of the act, their questions vetted — and often planted — by government officials before they're asked. Liang's eye-rolling response to her sycophantic colleague was a rare moment of spontaneity, a natural human reaction to a mechanized pageant of autocracy.
But in an autocracy, the empire usually strikes back: By the end of the day, Liang Xiangyi's name had been censored on China's largest search engines, the video deleted from Chinese websites and millions of Chinese netizens were suddenly worried about what would become of their newfound hero.
Yicai, the financial news organization she works for, has reportedly removed Liang from their coverage team of the National People's Congress, and it's a good bet Chinese journalists are being told by their supervisors that from now on, they'd best be keeping any negative reactions — to the Congress and the annual theater surrounding it — to themselves.
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