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Golden Leaf series: In NC’s old tobacco warehouses, Black workers faced brutal conditions by day. By night, their dancing challenged Jim Crow.

Tobacco Sale in Warehouse, Durham, N.C.
Durwood Barbour Collection of North Carolina Postcards (P077)
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North Carolina Collection Photographic Archives, Wilson Library, UNC-Chapel Hill
Tobacco Sale in Warehouse, Durham, N.C.

Due South presents another conversation in our occasional series “Golden Leaf” about tobacco’s deep roots in North Carolina. The focus today is the history of tobacco warehouses in early and mid-20th century North Carolina.

By day, the work done in these warehouses was governed by the brutal racial injustices of the South. But, on some summer nights, those cavernous buildings were transformed into a different world, says history professor Elijah Gaddis.

Black music promoters rented the warehouses, invited some of the most famous musicians of the era to perform, and Black party goers danced the night away in a space filled with rich music and glorious decorations – and in doing so, challenged Jim Crow.

Guest

Elijah Gaddis, Hollifield Associate Professor of Southern History and Co-Director of the Community Histories Workshop at Auburn University, and author of “Work, Play, and Performance in the Southern Tobacco Warehouse”

Jeff Tiberii is the co-host of WUNC's "Due South." Jeff joined WUNC in 2011. During his 20 years in public radio, he was Morning Edition Host at WFDD and WUNC’s Greensboro Bureau Chief and later, the Capitol Bureau Chief. Jeff has covered state and federal politics, produced the radio documentary “Right Turn,” launched a podcast, and was named North Carolina Radio Reporter of the Year four times.
Rachel McCarthy is a producer for "Due South." She previously worked at WUNC as a producer for "The Story with Dick Gordon." More recently, Rachel was podcast managing editor at Capitol Broadcasting Company where she developed narrative series and edited a daily podcast. She also worked at "The Double Shift" podcast as supervising producer. Rachel learned about audio storytelling at the Salt Institute for Documentary Studies. Prior to working in audio journalism, she was a research assistant at the Aspen Institute in Washington, DC.