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Singer And Actress Eartha Kitt Dies

ROBERT SIEGEL, Host:

SIEGEL: Singer and actress Eartha Kitt died today at 81. Her career included playing the Catwoman on the TV show "Batman." She danced for Katherine Dunham, she acted with Orson Welles and Sidney Poitier, but above all, she sang.

(Soundbite of "C'est Si Bon" by Eartha Kitt)

C'est si bon, De partir n'importe ou, Bras dessus bras dessous, En chantant des chansons, C'est si bon, De se dire des mots doux -De petit rien du tout -Mais qui en disent long. En voyant notre mine ravie Les passants dans la rue, nous envient...

SIEGEL: In 1968, Kitt's outspokenness dealt her career a setback. She attended a White House luncheon hosted by First Lady Lady Bird Johnson. Kitt voiced her opposition to the war in Vietnam and it was reported that she reduced Mrs. Johnson to tears. After that, she worked mostly abroad for several years. Eartha Kitt's life story was an American epic. Born on a South Carolina plantation to a black mother and a father she never knew, conceived in a rape. About a year ago, Eartha Kitt spoke with NPR's Renee Montagne about her career and her childhood living with her mother.

(Soundbite clip from previous Morning Edition show)

Ms. EARTHA KITT (Singer, Actress): I don't even know if she was my mother or not, but at any rate because she was having problems getting some place for us to stay - she had another little girl, I remember, that little girl was always in her arms. She was able to walk it when my first scene in life was us walking down a road trying to find some place to stay, because every time she knocked on a door to ask if she could stay there. I would always hear a great big voice that said no, I don't want that yellow girl in my house when they saw what color I am. So I was always hiding behind her, until we were finally accepted in a little cottage in the middle of a cotton field somewhere.

MONTAGNE: And - I mean there will be people who won't understand why being fair-skinned, what's wrong with that? What did that say about you, a little girl, who in every respect, was innocent?

Ms. KITT: Well, I think at that time, and there's still a kind of connotation behind that, if you are a yellow gal and you're illegitimate, particularly, you have two strikes against you, you don't know who your parents are, so you become the maid in that house. And that was my position.

MONTAGNE: A little girl maid.

Ms. KITT: Yeah, you could talk about - I always thought of myself as a sepia(ph) Cinderella, and look I'm still looking for my prince, but the prince turned out to be me, because I had to work for everything I got.

(Soundbite of laughter)

MONTAGNE: My prince will come.

Ms. KITT: Which I've also been, it's terribly funny, because every time I sing "Santa Baby," I laugh more at myself when I'm singing that song because I know what I've gone through and the song says Santa baby, slip a sable under the tree. Well, all the men who have done that with me had never stayed with me, so I realized everything that I want in life I have to pay for myself, and I really love that because then nobody owns me, but me, and my public of course.

SIEGEL: In recent years Eartha Kitt appeared on stage in New York and she recorded "Smoke Gets In Your Eyes" for a cosmetic commercial campaign just last year. Today, Eartha Kitt died at Columbia Presbyterian Hospital in New York City. Luckily, her singing and her signature growl are preserved on hundreds of recordings including this seasonal favorite.

(Soundbite of "Santa Baby" by Eartha Kitt)

Santa baby, just slip a sable under the tree, for me Been an awful good girl Santa baby, so hurry down the chimney tonight Santa baby, a '54 convertible too, light blue I'll wait up for you dear Santa baby, so hurry down the chimney tonight

SIEGEL: You're listening to NPR News. Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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