Movies On The Radio

Something in your eye? It’s not your fault, some movies are simply designed to be tearjerkers. On this installment of Movies on the Radio, The State of Things heard from listeners about the films that got the tears flowing.   

The latest edition of Movies on the Radio is all about gangster, mob and mafia movies. Listeners share their favorite movies focused on the world of crime, from the family business in “Married To The Mob” to the crooked cops in “Training Day.”

Awards season is in full bloom. The Golden Globes, Screen Actors Guild Awards and The Oscars all consider “A Star is Born” and “Black Panther” among the best films of 2018.

Films that draw viewers into the gritty highs and lows of the music world are having a big cinematic moment. There is the new head-banging Queen biopic “Bohemian Rhapsody,” yet another reincarnation of “A Star is Born,” featuring pop icon Lady Gaga, and the forthcoming “Rocketman” that takes on the rise of Elton John.

From sappy to silly to downright vile, Hollywood has tried for generations to capture the many facets of the American family. Just in time for Thanksgiving, and for this month’s Movies on the Radio program, we asked our listeners for their favorite movies about families. In their choices, listeners often saw a version of their own family struggles splashed across the silver screen.

Not all horror movies are scary or spooky. Some films, like “Shaun of the Dead” or “An American Werewolf in London,” actually have a big dose of comedy in them. Others, like “Evil Dead II” or “Troll 2,” play up their campy elements.

What happens when the world of fine art and the world of filmmaking meet? This month on Movies on the Radio, The State of Things is not tackling the art of movie-making, but rather the art of making movies about art. 

The best filmmakers can craft a world so vivid viewers can imagine themselves living alongside the characters. Through intricate sets, or the magic of animation, cinema becomes America’s dream machine. 

Film Curator Laura Boyes is a sucker for old romantic movies. But digging for gems from the golden age of cinema also tends to turn up sexist tropes: the two-dimensional secretary, naive blonde and women who flounder without significant male help.

Vacation movies may show off some of the world’s most beautiful scenery, but the most compelling films are the ones that show characters another side of themselves. Take a protagonist out of her usual environment and anything can happen.

Tommy Wiseau’s film “The Room” is a textbook example of a cult movie. It made less than $2000 when it first opened in Los Angeles in 2003, got terrible reviews, and is dubbed by some the “Citizen Kane of bad movies.” Yet years later it became a huge hit.

This year US consumers are estimated to have spent an average of $180 each for Mother’s Day, according to the National Retail Federation. This month Movies on the Radio gives moms a tribute money can not buy with a show devoted to mothers.

Some films get nothing but love from the critics. They garner five stars, win awards, and spark endless think pieces. But do audiences actually like them? On Movies on the Radio host Frank Stasio speaks with film experts Marsha Gordon, a film professor at North Carolina State University, and Laura Boyes, film curator for the North Carolina Museum of Art, about listener picks for most overrated films.

For years, critics have contended that Hollywood films leave a lot to be desired when it comes to female representation. Analyses such as the Bechdel test suggest that too often the male-dominated screenwriting world puts women in passive, one-dimensional roles.

Child actors are big players in Hollywood. Shirley Temple is one of the most famous, with 17 feature films under her belt before she turned 10. There are several film stars today who began their acting careers when they were children, like Natalie Portman and Christian Bale.

Countless films have used money as a central theme throughout the years, from the 1924 silent film “Greed” to recent hits that explore the 2008 financial crisis, like “Margin Call” and “The Big Short.”

2017 was a big year for new movie releases, but film experts Marsha Gordon and Laura Boyes managed to narrow down their lists of favorites to share.

Selections include “Kedi,” a documentary about the cats of Istanbul, Netflix original “Mudbound,” about two sharecropping families, and the box office-crushing release of “Wonder Woman.”

Host Frank Stasio talks with Marsha Gordon, film professor at North Carolina State University, and Laura Boyes, film curator at the North Carolina Museum of Art, about 2017 movies of note.