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Lucky Daye: Tiny Desk Concert

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Sometimes, a Tiny Desk is just meant to be. NPR Music's Bobby Carter and I have been checking for Lucky Daye since last year when we dubbed him one of the "Kings of R&B." Then, after seeing Lucky perform live in Washington D.C., we knew his charisma and control, even for a new name, would translate well to the Tiny Desk. The same week we saw him live for the first time, we knew he was ready for the challenge.

Hailing from New Orleans and inheriting a love of sticky, bass-bumping funk early on, Lucky wanted to bring the full flavor of his debut album, Painted to NPR. So he brought along a 10-person band, including a quartet of horns, and his go-to producer Dernst "D'Mile" Emile II on bass. Like the record, which incorporates bouncy pop, a light, wallowing nod to jazz and show-stopping soul (notice the dramatic pause of the beat during the final song, "Late Night"), Lucky took the vibe of the Tiny Desk from chill to rowdy within the span of 15 minutes. He even let the audience in on a secret: "I've never performed that song in front of anyone with a band," he said, trying to laugh off mid-set jitters and bask in the moment. "This is amazing, y'all. I'm really grateful."

SET LIST

  • Roll Some Mo
  • Misunderstood
  • Late Night
  • MUSICIANS

    Lucky Daye: lead vocal; Quintin "Q" Gulledge: keys; D'Mile: bass guitar; Kenji Chan: guitar; Kendall Lewis: drums; Crystal "RØVÉL" Torres: trumpet; Brandyn Phillips: trumpet, flugel; Corbin Jones: baritone sax; Chris Johnson: trombone; Chelsea "Peaches" West: vocals; Nikki Flores: vocals

    CREDITS

    Producers: Bobby Carter, Sidney Madden, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Bronson Arcuri, CJ Riculan, Beck Harlan; Photo: Amr Alfiky/NPR

    Copyright 2021 NPR. To see more, visit https://www.npr.org.

    Sidney Madden is a reporter and editor for NPR Music. As someone who always gravitated towards the artforms of music, prose and dance to communicate, Madden entered the world of music journalism as a means to authentically marry her passions and platform marginalized voices who do the same.
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