![Ernesto Nazareth (1863-1934).](https://npr.brightspotcdn.com/dims4/default/4f76bad/2147483647/strip/true/resize/880x^/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fprograms%2Fpt%2Ffeatures%2F2004%2Fjul%2Fnazareth%2Fcms140.jpg)
![Cover of 'Tangos, Milongas and Other Latin-American Dances for Solo Piano.'](https://npr.brightspotcdn.com/dims4/default/5abd553/2147483647/strip/true/resize/880x^/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fprograms%2Fpt%2Ffeatures%2F2004%2Fjul%2Fnazareth%2Fcover140.jpg)
The tango is usually associated with Argentina, but piano sleuth Joseph Smith has turned up music by a Brazilian tango composer, Ernesto Nazareth (1863-1934).
Nazareth was more interested in classical European music as a teenager, but his family could not afford to send him abroad to learn. The pianist then chose to focus on native Brazilian music and began performing to accompany films at a movie theater in Rio de Janeiro.
Smith plays two tangos by Nazareth (pronounced "Naza-ray"): "The Fighter," written in 1917 and "The Ninth of July," composed as a tribute to Argentia's Independence Day anniversary.
In 2003, Smith edited a book of tango sheet music, Tangos, Milongas and Other Latin-American Dances for Solo Piano.
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