SOT Live Music

Growing up, Carl Tanner did his best to hide his vocal talent. He played keyboard in a rock band in high school but was reluctant to let out his booming voice. Eventually, a friend overheard him singing and pushed him to join the school choir. His natural ability stunned the instructor, and he started singing hymns at church, too.

Attending a night at the symphony may conjure up images of an elaborate theatre, expensive tickets and an audience dressed in their finest. Chamber Orchestra of the Triangle is working to change that perception with upcoming performances featuring the Verona Quartet, COT’s inaugural string quartet-in-residence.

Jennah Bell’s love of music started with Disney movies and musicals. By age six she had matured past the soundtrack to “Annie” and discovered the magic of Stevie Wonder and the Beatles and began to understand the wide range of stories that music can tell.

At 17 years old, he was barred from entering the front door of the Cat’s Cradle, so John Howie Jr. instead got on the stage of the Chapel Hill club.

Durham called folk rocker Nancy Middleton back home after 11 years in Nashville.

The Burlington Boys Choir is upholding a six-decade-long choral tradition for the boys of Alamance County. Over the years, hundreds of boys have learned the joys of classical music through the choir, which is open to boys between the ages of 9 and 16 years old.

Thomas Taylor Jr. is fostering an appreciation of jazz legends like John Coltrane and Thelonious Monk among the state’s underground hip-hop scene.

The professor of percussion at North Carolina Central University sees North Carolina’s long history in blues and jazz as a natural foundation for today’s emcees. In his classes, Taylor invites aspiring rappers to improvise with him in front of the class — him on the drums, them with their words. Two students from that course now freestyle with him regularly.

A four-piece group from Chapel Hill brings classic funk back to North Carolina’s music scene — with a modern twist. The band JULIA. draws a lot of its influence from 1970s funk, including Parliament-Funkadelic.

Lisa Rhodes was born in a small town outside a small city on the Gulf Coast of Texas and as a lesbian aspiring musician, she could not wait to get out of dodge. Rhodes would spend much of her younger years in Austin where she wanted to be a rock star.

No one ever asks Henbrain to turn up the bass. The band features two electric basses chugging alongside one another, which defines its low-frequency acid rock sound.

Michelle Sontheimer plays lead axe, running her sound through a guitar amplifier and effects processor, which produces a meaty buzz that she describes as a “2,000 pound angry bee.” Cutting through the low-frequency symphony are Erika Libero’s vocals. Her lyrics are a select cross-section of mythology, exploring topics from the Greek Elysian Fields to a Nekomata, an ancient Japanese demon cat. The band also includes Ryan Yancey on bass and drummer Derrek Spronk.

Barry Gray’s debut release is the culmination of a family man’s slow-burning reflections.

When North Carolina duo Violet Bell started recording their debut album, they planned to feature band members Lizzy Ross and Omar Ruiz-Lopez plus a drummer. But once the tape started rolling, Ross and Ruiz-Lopez realized the music warranted a bigger sound.

Irene Kelley has been a force on Nashville’s Music Row for decades. She spent 20 years writing or co-writing hit songs for country artists like Ricky Skaggs and Loretta Lynn. But at the same time she was quietly working on her career as a performer.

Bluegrass band Carolina Blue formed out of necessity.

Singer-songwriter Rachael Hurwitz struggled to make it as a musician in New York City. She eventually decided to head south in search of a more encouraging culture.

For almost a decade House of Dues has been part of the Triad music scene. But they got their start playing at a Mardi Gras party. Led by guitarist and vocalist David Bolton, the group counts BB King, The Nevilles and Herbie Hancock as the inspiration behind their blues, funk, and R&B blend. House of Dues plays at Fishers Grille in Greensboro on Tuesday, Sept. 10 at 7 p.m.

Shelby Smoak was born a bleeder. As a child with hemophilia, he spent a lot of time on crutches, using a cane or limping, but he has long refused to let fear control his life.

Durham-based, local legend Kym Register, who performs as Loamlands, returns this summer with their sophomore album “Lez Dance.”

Singer and guitarist Dave Ray Cecil began writing music when he was six years old. As a child, he strung notes together on the piano and secretly used his brother’s guitar to write songs.

Artist Sonny Miles is on a journey back to himself. After a year spent refining mixtape collaborations, he is dropping a new EP: “Gamma.” It is a return to his roots in acoustic soul and pays homage to the last three years he spent learning beat making and hip-hop performance.

Harvey Dalton Arnold found fame on Southern stages, rocking out in bell-bottoms topped with big buckles. But before he opened for Lynyrd Skynyrd touring the country with The Outlaws, Arnold was helping his dad sell Ford tractors and raise chickens in Duplin County. He grew up on the wrong side of the tracks in Rose Hill, a town of just over 1,500 that breaks out the world’s largest frying pan for its yearly Poultry Jubilee.

Heather McEntire is best known as the lead singer and songwriter for the group Mount Moriah. After 10 years with the band, with three albums under their belt, the group took a hiatus, and McEntire tried her hand at a solo album.

Rebecca Newton is a well-known name on the North Carolina music scene. The longtime musician and artist promoter has spent decades performing in groups and working to promote her bands and other people's music.

North Carolina’s strong cultural traditions in music, crafts, dance and food have been evolving for generations. Millennials are now taking the helm and putting their own spin on various folk and traditional art forms.

Barefoot Modern recently walked away with the Best Alternative Indie Award for their musical submission at the Richmond International Film Festival. They beat out more than 2,000 bands to earn that spot and have since set their sights on garnering even more national attention with their roster of original tracks.

Jake Xerxes Fussell's family history plays a significant role in his musical output. The son of a folklorist, curator and photographer spent his childhood listening to old bluesmen and Native American artists his father was recording.

The Asheville-based swing group Queen Bee and The Honeylovers made their entire debut album a tribute to their beloved hometown. “Asheville” came out in late April and features tunes about the historical characters and legends of the city in the style of a 1920s swing record.

For Juan Álamo, rhythm just comes naturally. He has a passion for percussion that surfaced when he was a little boy growing up in Puerto Rico. Juan parlayed that passion into serious classical study of the marimba, an instrument similar to a xylophone but bigger and with a deeper tone. In his recently-released album “Ruta Panoramica,” Álamo marries the Latin rhythms of his hometown with his classical training and a love of jazz to create a unique fusion sound not typically heard from a marimba. 

When “West Side Story” debuted on Broadway in 1957, it was an instant hit. The new take on “Romeo and Juliet” set in 1950s New York City earned seven Tony nominations in its first year.

By 1961, the musical was turned into a movie that was equally successful and took home 10 Academy Awards.

Sam Frazier is a Greensboro-based singer, songwriter and musician with two solo CDs under his belt in addition to collaborations with some of the area’s top talent. The lyrics in his original songs move between silly and soulful, as his poetic storytelling speaks to our all-too-human nature.