The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.
The opening piano notes are barely sufficient warning to brace for the sweet and powerful voices that transport us to Samora Pinderhughes' Tiny Desk (home) concert, shot on film. "The Cry" heralds our journey into the Bay Area native's sophomore album, GRIEF. The vocalists move briefly out of frame for "Masculinity," a probing, open letter that addresses masculine stereotypes with directness and compassion. The song blooms beautifully, with Pinderhughes accompanied by strings, a background chorus, and his sister, renowned flutist Elena Pinderhughes.
Between tunes, Pinderhughes greets us and shares that the setting for this Tiny Desk (home) concert is his exhibition, "The Healing Project," at Yerba Buena Center for the Arts in San Francisco. Five years in the making, the project explores trauma and healing from structural violence with conversations, film, music and art created by incarcerated artists, including the artist Pitt Panther. Pinderhughes then plays "Holding Cell," a dedication to those behind the walls. For his next song, Pinderhughes leads us to a blue space, a memorial shrine with candles, offerings and dedications, where we encounter the haunted pleas of "Grief."
Pinderhughes' ability to be vulnerable makes his music incredibly intimate. He reminds us of this quiet strength once again as he introduces the last song in his set, "Process," with some final thoughts: "I think a lot of times we get a message that we should just succeed or triumph over something that's difficult in our life, particularly things like depression or grief or anxiety. But sometimes it's about living alongside those things and just taking it one day at a time."
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TINY DESK TEAM
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