Bringing The World Home To You

© 2023 WUNC North Carolina Public Radio
120 Friday Center Dr
Chapel Hill, NC 27517
919.445.9150 | 800.962.9862
91.5 Chapel Hill 88.9 Manteo 90.9 Rocky Mount 91.1 Welcome 91.9 Fayetteville 90.5 Buxton 94.1 Lumberton 99.9 Southern Pines
Play Live Radio
Next Up:
Available On Air Stations

Review: Seratones, 'Get Gone'

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify playlist at the bottom of the page.

Seratones, <em>Get Gone</em>
/ Courtesy of the artist
Courtesy of the artist
Seratones, Get Gone

If you were to break apart the ingredients that form the Shreveport, La., band Seratones, many would seem obvious: Singer AJ Haynes got her start training her unamplified voice to hit the rafters of a Baptist church, while other members listened to blues and classic rock. That mix of sounds is all over Get Gone, the group's first album. But the four members of Seratones — Haynes, drummer Jesse Gabriel, and brothers Adam and Connor Davis on bass and guitar, respectively — first bonded over their shared love of punk rock.

At first, listening to Get Gone doesn't reveal much in the way of a punk influence, but it's there in the way these 11 songs so rarely sprawl or waste space on windy jams. Seratones' music stays lean and compact, with an impressive assortment of anthemic stompers ("Chandelier," "Trees," "Choking On Your Spit," "Headtrip") that fall around the three-minute mark. Sure, Connor Davis fits in guitar solos when he can, but they hit like exclamation points rather than filibusters. It's a sound that's equal parts intensity and restraint — not that the two are mutually exclusive — and Seratones' members wear it well.

This is still a young band; just last year, Seratones entered NPR Music's first Tiny Desk Contest for unsigned, undiscovered talent. (The group didn't win, but scored an invitation to the Tiny Desk earlier this year.) But for all of Seratones' youth, Get Gone steers clear of rookie mistakes, meandering or filler. It's varied in its pace while always on point in its pacing, and led by a singer with the strutting star power of the punk she is at heart.

Copyright 2022 NPR. To see more, visit

Stephen Thompson is a writer, editor and reviewer for NPR Music, where he speaks into any microphone that will have him and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk. (To be more specific, Thompson had the idea, which took seconds, while Boilen created the series, which took years. Thompson will insist upon equal billing until the day he dies.)
More Stories