Photographer Eugene Richards had several reasons to visit the Arkansas Delta 40 years after his initial visit.
"I went back, ostensibly, to look at the culture and see if there was anything left of it," he says. Or at least — that was the pitch he gave National Geographic magazine, in hopes that it would send him there, which it did. You can see the story in the magazine's November issue.
Richards' real motivation for returning, though, he tells NPR host Jacki Lyden, was a bit more personal. He wanted to see what he could remember — to fill the ineluctable void in memory that comes with age.
1 of 6 — "I drove out past the town of Marion beneath a quiet sky, as beautiful as anything I'd seen, to the house of a woman who lived by herself." 1969
"I drove out past the town of Marion beneath a quiet sky, as beautiful as anything I'd seen, to the house of a woman who lived by herself." 1969
Eugene Richards / Magnum Photos
2 of 6 — "A young Marine on an R&R leave from the military visits his home, a sharecropper shack, in 1970 in Hughes, Ark."
"A young Marine on an R&R leave from the military visits his home, a sharecropper shack, in 1970 in Hughes, Ark."
Eugene Richards / Magnum Photos
3 of 6 — "The young daughters of Reverend Lander relax on the porch of their home on a hot day in 1970 in Hughes, Ark."
"The young daughters of Reverend Lander relax on the porch of their home on a hot day in 1970 in Hughes, Ark."
Eugene Richards / Magnum Photos
4 of 6 — "The Peter's Rock Church in Marianna is no everlasting monument; it has been left to rot, its windows broken, its steeple fallen over. Still, I found it beautiful. Kneeling in the cemetery, listening to the insects hissing, watching as a dog wandered past, I felt history coming at me from all sides."
"The Peter's Rock Church in Marianna is no everlasting monument; it has been left to rot, its windows broken, its steeple fallen over. Still, I found it beautiful. Kneeling in the cemetery, listening to the insects hissing, watching as a dog wandered past, I felt history coming at me from all sides."
Eugene Richards / National Geographic
5 of 6 — "I met Billy D. Harris just before dawn at the country store in Aubrey, Ark., then followed him out to cotton fields that were soon so hot everyone dripped with sweat. Billy pulled off his shirt before continuing to 'chop,' or thin the growing plants."
"I met Billy D. Harris just before dawn at the country store in Aubrey, Ark., then followed him out to cotton fields that were soon so hot everyone dripped with sweat. Billy pulled off his shirt before continuing to 'chop,' or thin the growing plants."
Eugene Richards / National Geographic
6 of 6 — "A tractor road muddied by autumn rain in Lee County, Ark."
"A tractor road muddied by autumn rain in Lee County, Ark."
Eugene Richards / National Geographic
"Every once in a while, in all of our lives, the void becomes a little overwhelming and you try to fill it. So I went back trying to fill an emptiness," he says. "I found that I couldn't even find the places that I knew profoundly."
Richards struggled to find the places he had known so well — for two reasons. Primarily because, as the National Geographic article explains, the segregated sharecropping culture that once typified the region has been all but eclipsed by industrial farming.
"Everything [still] exists, but on a smaller scale. The churches exist," he says, "but they might have six people — where they might have been jammed before."
The challenge of digging up old haunts was even harder for Richards, though, because of his issues with memory. He suffered a serious head injury when he was younger. And though he rarely talks about it (because, in his mind, who wants to hire an injured photographer?), it has had a serious impact on his life.
"One of my reasons to go back was that I was embarrassed by it — that I couldn't remember my years there," he says.
Ultimately, though, perhaps it's a futile effort. Even those who remember everything can't control the way things change. The fact is, memories might remain intact, but people and places rarely do.
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