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Miles Zuniga: Turning Therapy Into Sweet Sounds

<p>Miles Zuniga's gift for turning anguish into hummable pop is on full display in "Working on a Love Song."</p>
Lynn Goldsmith

Miles Zuniga's gift for turning anguish into hummable pop is on full display in "Working on a Love Song."

Miles Zuniga is best known for his work in Fastball, which spawned a 1998 mega-hit with "The Way," but he's also recognized as a solo singer and songwriter of some stature. Until These Ghosts Have Bones, however, he'd never recorded an entire album of his own work.

But Zuniga's need for an emotional release after a painful divorce led him to craft a deceptively upbeat "record/therapy session." Influenced heavily by likeminded pop geniuses — The Beatles, The Hollies, Ray Davies — Zuniga's gift for turning anguish into hummable pop is on full display in "Working on a Love Song." Driven by mandolin, acoustic guitar and Zuniga's unmistakably Lennon-esque vocals, the tune, co-written by Oreste Gargaro, describes an experience not uncommon for touring musicians: writing a love song while far away from its subject. "I got a line at JFK," Zuniga sings in his high tenor, "and I wrote the middle eight in the taxi home."

But as expectations build for a happy reunion, Zuniga wallops listeners with the line, "Finished this love song / just to find that you were gone." He's got a remarkable gift for turning that painful sting into sweet sounds — a feat he repeats impressively throughout These Ghosts Have Bones.

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Lynne Margolis
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