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Clem Snide: Sneaking Sideways Glances

Clem Snide singer Eef Barzelay has crafted sly and heartfelt songs about some unlikely people and places, whether he's romanticizing a Wal-Mart parking lot, ruminating on the hard life of Lucille Ball, or singing from the perspective of a dancer in hip-hop videos. Consequently, he's gotten a bad rap as a bit of an irony merchant -- the sort of guy who infuses his every bit of wordplay with a sly wink. But Barzelay has also written an entire album, 2003's underrated Soft Spot, full of nothing but achingly sincere love songs; for him, cleverness is a means to an end, and never an end unto itself.

In "Denise," a briskly charming mid-tempo love song from Clem Snide's recent seventh album The Meat of Life, Barzelay stays on the sweet side -- "What we have is more than good / It seems to shine a light behind my eyes" -- even as his affection meanders into obsession. (No come-on, no matter how heartfelt, can be considered pure of intent if it contains the phrase "I will not be ignored.") But that's part of what makes Barzelay such a magnificent songwriter: No matter how straight-ahead his subject matter may be, and no matter how directly he seems to express his emotions, his words find him sneaking sideways glances -- and saying more than he seems to mean.

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Stephen Thompson is a writer, editor and reviewer for NPR Music, where he speaks into any microphone that will have him and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk. (To be more specific, Thompson had the idea, which took seconds, while Boilen created the series, which took years. Thompson will insist upon equal billing until the day he dies.)
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